1986 geboren in Kiew, Ukraine
2010-13 Studium Kunstpädagogik, LMU München, BA of Arts
2012-16 Studium Malerei und Grafik bei Prof. Jean-Marc Bustamante AdBK München
2017-19 Studium Bildhauerei bei Prof. Florian Pumhösl, AdBK München, Diplom
seit 2018 Meisterschülerin von Prof. Florian Pumhösl
AUSSTELLUNGEN (Auswahl)
2020 Carriers, Kunstarkaden, München(kommend)
2020 You are in my wave ll, Apartment der Kunst, München
Blick Fang 2020, Kunsthaus Kaufbeuren
Pirol–Onhe Netz, Dessous, Wien
Art News, Smudajescheck Galerie, München
Münchener Meisterklasse, Kunstforum Münchener Bank
2019 Atmosphären, Filser & Gräf Galerie, München
New kids on the block, Halle50, München
Diplomausstellung, AdBK München
#weeklyissues No. 9, fructa space, München
2018-2012 the upside down // excavating the future, Dannerpreis Ausstellung AdBK München
Quick Pieces, Richas Digest, Köln (solo)
pieces, Richas Digest, Köln
11:02, Chantall, München (solo)
finir en beauté, Galerie der Künstler, München
Kunsthoch 46 Burg, Galerie im Volkspark, Halle
nothing special, KHG M¸nchen (solo)
Reality Through Fiction, Circuits and Currents, Athen
Zwischenorte, AkademieGalerie München (solo)
Reflexion – Ästhetische Referenzen, 8. Darmstädter Tage der Fotografie, Darmstadt
Artist Comes First Festival international d‘art de Toulouse, Toulouse
PRESE / STIPENDIEN
2020 Kunstpreis, Kunsthaus Kaufbeuren
2019 Sommerakademie Salzburg
2018 Kunstförderpreis der Dannerstiftung
Bayerische Atelierförderung
Preis des Akademievereins zur Jahresausstellung
Sommerakademie Salzburg
Oskar-Karl-Forster-Stipendium
2015 Sommerakademie Dresden
Sommerresidenz Kalbe
Fumbarevs work aims to reconcile the sculptural and the pictorial. Exploring transfer processes from image to material, she starts with photographic representations of urban spaces and their visual phenomena and (literally) concretizes them as image objects. Therefore she casts image carriers from concrete and applys screen prints with photographic material. Due to the handcrafted process, each piece has a unique character. Pictures of facades containing various visual elements are transferred to the
porous surface of the plates. There can be, for instance, shadows on walls or just structures of the walls themselves, and one hardly notices the photographic core of the image. As Xenia constitutes: „Since I have been interested in photography, motifs of the casual and the ubiquitous have been fascinating me. During the last two years, I have been reducing narration. Instead questions about how pictures are to be found and what language they speak have become crucial: What constitutes a picture? How much information is needed for a picture to become one? At a certain point, I couldn’t answer these questions merely with photography anymore. Photography became a point of
departure from which on I would investigate new materials. As a result, my current work not only bears testimony to my origins in the medium, but also my alienation from it.“